photographer and filmmaker

denis piel was born in France on 1 March 1944, raised in Australia and educated in the United States.

He currently lives in the south-west of France. He is an internationally acclaimed award winning photographer and filmmaker primarily recognised for his influential approach within the field of fashion photography in the 1980s.
piel is currently working on personal and commercial international projects.

1944
piel was born in France during the Second World War to Serge and Lilly Piel, activists in the French Resistance. At the end of the war piel's parents emigrated with their children to Australia to begin a new life.

piel began his career in Brisbane in 1961. He subsequently opened his own studio in 1966. Meeting with early and sustained commercial success thanks to a couple of early mentors, he worked for a diverse client base shooting an array of subjects, from industrial subjects, to portraits and fashion for a department store.
A modest assignment with Vogue Australia prompted him to move to Melbourne where he specialised in fashion photography, working for clients such as Pol and Vogue Australia. A Sydney based editor at Pol, Robyn Batey, became his mentor and encouraged him to move overseas to explore his creativity further.
The 1970s found piel in Paris, London and Milan with occasional stints in Hamburg, mostly shooting fashion and some advertising. His fascination with the potential of holographic images led him to experiment during this period with three dimensional constructed models.

In France piel began to discover his family background which was unknown to him until then. His grandfather was Jean Piel, the editor of the intellectual revue Critique; his extended family also encompassed the renowned psychoanalyst Jaques Lacan and the Surrealist painter Andre Masson.

1979

In the late 70s piel’s desire to explore new horizons took him to New York and his first assignment in the States with New York Times Magazine. This shoot in 1979 came to the attention of Alexander Liberman, editor with Condé Nast publications, and after several initial assignments with Vogue, Piel was offered a contract with Condé Nast, an agreement reserved for a select few such as Penn and Avedon.

piel worked as a Condé Nast photographer for a decade, and shot more than 1000 editorial spreads for US, German, Italian, French, English Vogue, Vanity Fair, Self and Gentlemen's Quarterly. this includes many celebrity portraits ranging from the films stars Geena Davis, Nastassja Kinski, Andi McDowell, Darryl Hannah, Isabella Rosellini, Goldie Hawn, Jamie Lee Curtis, Lillian Gish, Donald Sutherland, Jeanne Moreau, and Uma Thurman, to the directors and film producers Brian de Palma and Sherry Lansing to politicians such as Mario Cuomo, the writers Joan Didion, Erica Jong, to artists as diverse as Man Ray, Willem and Elaine de Kooning and Jasper Johns and the dancers Mark Morris and Merce Cunningham to name a few.

Although appreciative of Avedon, Penn, Newton and others, piel cites a stronger influence from filmmakers; Stanley Kubrick, Satyajit Ray, Bertolucci, Antonioni, Cassavetes, Bergman, Kazan, Truffaut and Kurosawa. Press photography also influenced his work. The key qualities which interested Piel were narrative and emotional engagement. Piel has always been drawn to new technologies, keen to explore the potential of a developing medium.

As piel's career progressed his working method as photographer-director transmuted into a committed interest in film directing inspired by an experience as technical advisor on the James Toback film Exposed (1983). Starring Rudolf Nureyev and Nastassja Kinski, the actor Ian McShane plays fashion photographer Greg Miller, a character directly modeled on piel.

In addition he has created and executed commercial beauty and fashion projects for Anne Klein, Revlon, L'oréal, Calvin Klein, Donna Karan, Fortune magazine, Sheraton, Guerlain, Helena Rubenstein, Bergdorf Goodman, Ultima, Estée Lauder, Max Factor, Elizabeth Arden, Chanel, and more.

1985

In 1985, he founded and ran Jupiter Films, an internationally successful film production company. He directed and wrote many commercials, notable the iconic New York campaign for Donna Karan and The Wool Board compaign, Australia. piel's work won numerous international awards from New York, to Sydney, to Cannes. his many commercials clients include Guerlain, Donna Karan, Jade cologne, Johnson & Johnson, Revlon, Schweppes, Sparkasse, Alegra, Cannon, AMP Society, Luberderm, Dewar's, J.C.Penney, Jacques Fabre, Ann Klein, Telecom Australia, Telecom New Zealand, Telekom Germany, Perfum Guy Laroche, Wool Board, Shell, Galaxy, Canada Dry, Nescafé, Singapore Airlines, Ansett Airlines, White Pages, Victoria State Government Drug and Alcohol Abuse and many more.

piel has been a guest lecturer at the New School for Social Research/Parson's School of Design in 1983, the Maine Photographic Workshops for the Masters Class Workshop in 1985 and the Washington Smithsonian Institute "Masters of Photography" series in 1986.

1987

piel was awarded the Leica Award of Excellence for his contribution to commercial photography in 1987.

In 1989 piel left Condé Nast to concentrate on film. He continued with his commercial advertising work in both film and stills during this period, however he stopped shooting editorial work except occasionally.

1991-3.

As a labor of passion, piel spent over a year writing, producing and directing an independent feature Love is Blind, an award-winning documentary film. Love is Blind was selected for introduction screening 1st look series sponsored by Eastman Kodak company, the Tribeca Film Center and the New York Foundation for the Arts. Love is Blind has been shown in the USA, Russia, France, Holland, Sweden, Australia and most recently, in Canada.
The progression into independent film-making inspired piel to also set up .coms 'Umbershoot and theideasbank®, vehicles which would enable people to work together collaboratively, with the concept of cross pollinating skills to develop ideas.


2002

After 9/11 and the dot.com crash piel and his family moved permanently to Lempaut in the South-West of France to live and work at Château de Padiès, a Middle Ages and Renaissance Château which they have been restoring since 1992.

The property comprises the Chateau and also Les Jardin du Château de Padiès. The gardens at Padiès are an experiment in agro ecology and are being developed following permaculture and sustainable development principals.

Padiès and the local environment have become the source of inspiration for piel and are central to his current photographic practice.

2003

He was a founding member of Front2End, a branding collective aimed at turning ideas which are pure imagination into things that you can hold in your hands or see on your screen.


piel was instrumental in the development of Culture&Cultures an international film festival concerned primarily with intercultural relationships, both in the making and subject matter of the films


He wrote three film scripts, IORA, SPINDRIFT, FLY ON THE WALL and one TV series, ENCOUNTERS.

2005


PREMIER OEIL

“Premier l'Oeil is a celebration, not only of ‘seeing’ in the liminal time between sleep and waking but also a celebration of the sense itself…. They are threshold images, images of the self meeting the visual world each day with new eyes.”
"Ruth MacPherson (writer and photographer)

see

http://www.denispiel.com/index_series.php?main_category_id=29

 

2007


PLATESCAPES, shot over a period of 5 years was exhibited in 2007 at the Way of Arts gallery in Lisbon, Portugal, explores a recurring theme in denis' work: that of capturing the off moments, those moments that stimulate us to imagine the unseen story... in this case, what was the food, the people, the story, the occasion.

.......Platescapes is an accented interpretation of the still life photograph. The metaphoric bones, the menacing-eyed shrimp, the lonely fork, the sauce asking to stay – there is still life – Piel is suggesting. In the universal activity of man lies a universe of gestures and emotions, a thumbprint of our particular identities, left on tables around the world, everyday. Perhaps it is not so much we are what we eat as much as we are what we leave over. It is the empty plate as modern day fossil record.--------conversations are still dripping on the plates and emotions are still carved into the knives. Time is a frozen gesture here and Piel warms our visual instincts to what, in all likelihood, we have frozen out of our frames. Allowing us to see with such piercing clarity what we have consumed, he allows us to consume what is never very clear: who we are.

Howard Altmann (Poet and Philosopher- New York)

Conversations recorded during these meals play alongside the images. The integration of sound and image is an increasingly strong element within denis’ work.

see

http://www.denispiel.com/index_series.php?main_category_id=4

2005 - 2008

FACESCAPES.

"... like many photographers, from Richard Avedon with his subjects in mental asylums to Lord Snowden who filmed derelicts in London's doss houses, Denis seeks to explore other dimensions."  ".....starting with his lauded feature length documentary, LOVE IS BLIND and now with FACESCAPES, Denis follows a humanist tradition of getting in almost below the surface on his subjects to reveal the traces of life. These explorations into the human condition are the very antithesis of the beauty pictures that made him famous....." Phillip Adams ( writer, critic, etc)

 

Shot in France, Australia and China with 7 more countries to follow.

The series aims to encapsulate peoples’ lives in different parts of the world. The still images are part of an installation which includes multi screen projections of the subjects’ speaking about their lives.

Here piel follows a humanist tradition of getting in close on the subject, creating landscapes of faces, faces as a field, revealing contours and valleys like an aerial view of any terrain. But behind these abstractions piel's desire is to reveal the commonality of the human condition, a way of looking at the mileage of the human clock.

The France series and film titled, FACESCAPES- latitude 43.533333 longitude 2.066662 were Exhibited in Sydney, Australia, 2007

France, Australia and China images were exhibitied along with the preview film on Ageing, in Lisbon, Portugal at the Musee de Traje, 2008

see

http://www.denispiel.com/index_series.php?main_category_id=33

2012

A Book denis piel - MOMENTS the first monograph of piel's work was published by RIzzoli, Sept 2012. This volume designed by award-winning designer Ruth Ansel, feature a selection of images taken on assignement for fashion magazines and advertising clients as well as nudes of breathtaking women who would become the supermodels and actresses of a new generation. piel's eclectic approach to his work with a disregard for caterorizing work as commercial or personal has generated a diverse body of work comprising projects which sit in dialogue with one another.

2013

ESSENCE, a solo show by photographer and film-maker, Denis Piel.
ROVE Gallery, Hoxton Square, London N1 6NN
April 11th 2013 to May 9th 2013

essence (noun) the intrinsic nature or indispensable quality of something, especially something abstract, which determines its character

Essence presents a body of work from Denis Piel’s commercial and personal projects. Furthermore, it investigates reoccurring thematic concerns within Piel’s practice, offering an articulation of his search for the elemental and authentic qualities in all that he captures.
The feeling, sensing, body within Piel’s work acts as a site of shared understanding, developed in light of Piel’s fascination with the commonalities between people: the shared intrinsic needs that define us as human. Food, water and bedding are reoccurring elements within these images and speak of basic physical needs: eating, drinking, sleeping, sex.
Irrespective of the context in which Piel has produced his photographic images, the abiding essence of the work is a celebration of the sensual; a celebration of the body.

2014

Piel latest project "Down to Earth" is inspired largely by his move to the country from the urban. Today rural/urban are not binary opposites, the rural exists in the urban, and the urban exists in the rural; nature and culture co-exist. "Down to Earth" is a celebration of living closer to nature. Photographed over a complete agricultural cycle, "Down to Earth" explores the fundamental cycle of life: imprgnation, birth, blossom, death and rebirth. "Down to Earth" was shot on location at Château de Padiès.

The "Down to Earth" project is mainly shot wih a Hasselblad H4D. 

 

2015

Concurrently to developing and designing the book, "Down to Earth" he also developed the book "Filmscapes" which highlights the cinematic style and artistic process that made his photographs in this genre so enigmatic and unique.

2016

"Down to Earth" published in November 2016 includes limited edition fine-art photographic prints from the series. He currently continues an extended series for the "Down to Earth" project tentatively titled "Dreaming"

 

Piel's photos are in the permanent colleciton of the Victoria and Albert Musuem, London and The Museum of Fine Art, Boston as well as numerous private collections including the BES photo collection and the Antonio Champalimaud collections.

for any inquiries contact JESSE BLATT, photography agent and producer:
jessehblatt@gmail.com

 

piel exhibits his work at the Staley Wise gallery in New York city. email: photo@staleywise.com

and Way of Arts in Lisbon, Portugal.



SOLO EXHIBITIONS

2017 FILM STILLS, Lumière Brothers Center of Photography, Moscow
2013 ESSENCE , Rove Gallery, London. UK.
2012 MOMENTS book signing at Staley Wise Gallery USA.
2010 FACESCAPES TRANSISTION (video), Musée du Textile à Labastide Rouairoux, France
2010 FACESCAPES, Musée du Point de Vue, Brussels, Belguim
2009 FACESCAPES, Theatre de Castres, Castres, France
2008 FACESCAPES, Museu de Traje, Lisbon, Portugal
2007 FACESCAPES, Alliance Francaise, Sydney, Australia
2007 PLATESCAPES, WOA - Way of Arts, Lisbon, Portugal
2003 ENCOUNTERS, Staley Wise Gallery, New York, USA
1986 Donna Karan, International Centre of Photography at Bergdorf Goodman. New York, USA
1982 A Quiet Obsession, Staley Wise Gallery, New York, USA

GROUP EXHIBITIONS
2012 The Nude -Interpreted Staley Wise Gallery, New York, USA.
2010 FOCUS MODE, Musée du Textile à Labastide Rouairoux, France with photographer, Frank Horvat
2007 Fashion Photography, The Museum of Fine Art, Boston. USA
1994 Evolution / Revolution Nine Decades of Fashion Photography, Touring Exhibition – including Japan
1989 Images of Desire, Moore College of Art, Philadelphia, USA
1989 Portrayals of Recent Advertising Photography, International Museum of Photography, Rochester, New York, USA
1988 The Art of Persuasion – A History of Advertising Photography, International Center of Photography, New York, USA
1987 The Stars of Photography, The Cartier Foundation, Paris, France
1986 Shots of Style in Photography, Victoria and Albert Museum, London, UK
1986 7 Decades of Style in Photography, BMW Galleries, New York, USA
1986 The Fashionable Image, The Mint Museum, North Carolina, USA
1985 Photographs et Models de Notre Temps, Cannon, France
1985 Fotogalleriet, Oslo, Norway
1984 Summer Lights, Staley Wise Gallery, New York, USA
1982 The Nude by Fashion Photographers, Staley Wise Gallery, New York, USA
1982 Men of Style, Staley Wise Gallery, New York, USA

His work has also appeared in exhibitions at Furman Gallery, Walter Reade Theater,"Mark Morris:Portraits",
Lincoln Center International Center of Photography, International Festival of Photography Houston,, Platinum Plus, Sante Fe, New Mexico, Musei Capitolini in Rome" Valentino", Thirty Years of Magic Images 1960-1990", Fashion Institute of Technology, Goldie Paley Gallery, International Center of Photography, The Nikon House, Paris.


And his work is also held by many private collectors.

 


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